Motherless Child ebook on sale NOW!

As part of the run-up to the publication of Nothing to Devour on November 6th, the digital edition of Motherless Child, the first book in the Motherless Children trilogy, is on sale this month only for $2.99. Details here.

LOCUS Raves About The Ones Who Are Waving

The redoubtable John Langan offers an expansive and enthusiastic review of The Ones Who Are Waving in the September, 2018 issue of Locus, calling it “…the kind of literary high-wire act that makes you want to stand up and applaud.” For more extensive excerpts from the review, check the Ones Who Are Waving page in the Books drop-down menu. Better still, pick up a copy of the magazine…

Nothing to Devour tabbed as one of Library Journal’s hotly anticipated Fall books

In its inaugural horror genre spotlight, Library Journal mentions the inevitable “requests for more terrifying vampire novels” that inevitably accompany the release of a new Anne Rice title, then suggests this solution: “Thankfully, the conclusion of Glen Hirshberg’s ‘Motherless Children Trilogy,’ Nothing To Devour (Tor, Nov.), follows quickly on its heels.”

Review of THE ONES WHO ARE WAVING in BLACK STATIC

A great review for The Ones Who Are Waving, can be found in the newest edition (64) of Black Static.  A few highlights: “Keenly felt and characterised…filled with little touches of detail that give the events a mythic and archetypal feel;” “…it is a story that ultimately asks questions about the nature of fiction, showing how it can transform lives, with the writers themselves becoming the ghosts of their own work. It’s a strong end to a collection that is gratifyingly offbeat, aptly fitting the bill as regards the book’s subtitle or tagline, ‘Tales of the Strange, Sad, and Wondrous’.”

GOOD GIRLS Reviewed in LOCUS

From the Locus review:  “…there is enough material in Good Girls for a novel twice its length. But the economy and grace of Hirshberg’s style allow him to fit this plenitude into a more modest number of pages, while maintaining its full emotional and thematic resonance. The novel continually returns to its title, interrogating notions of goodness. What, it asks, might the phrase ‘good girls’ mean for a mother or a young woman or a monster?… Is it possible for a monster to demonstrate goodness? It does all this while hurtling toward a climax that is heartbreaking, horrifying, and riveting.

“With Motherless Child, Glen Hirshberg embarked on a new phase of a career whose accomplishments were already many and considerable…. [Good Girls] fulfills the promise of its predecessor, and promises more to come. A third novel in the series has been announced; It cannot arrive soon enough.”  –John Langan, Locus Magazine  (Get the May 2016 edition–or a full year’s subscription–of Locus Magazine here.)